Dancers Vyjayanthi Kashi and Prateeksha Kashi in the relationship the mother-daughter duo stocks off and on the phase

The duo walks straight straight down memory lane ru brides to provide insights to their characters, approach to function and an appraisal that is critical of other being a Kuchipudi artiste

Vyjayanthi Kashi and Prateeksha Kashi share a relationship that features facets that are many guru and shishya, co-performers on phase and mom and child. Whenever Prateeksha performed a Kuchipudi solamente during the Soorya Festival when you look at the Parampara show, where young dancers spend their tribute with their experts, and Vyjayanthi dparampara — the tradition — alive.

A conversation that is free-flowing the duo had not been just a stroll down memory lane but additionally offered insights within their characters, approach to function and a vital assessment of this other as a Kuchipudi artiste.

Vyjayanthi used Kuchipudi at a right time as soon as the trained in additionally the training of this party kind had been restricted primarily to Andhraites. The dancer, who had learnt Bharatanatyam, wished to pursue a dance field that is different. Using motivation from an aunt that has pursued Odissi, Vyjayanthi chose to discover the party type. She later chose to train under Kuchipudi Guru CR Acharya after viewing him perform Chitra Natyam.

“He used to phone me personally his dance daughter! ” says Vyjayanthi having a laugh, as she remembers the experts whom moulded her — Ramanna, Vedantam Prahlada Sarma, Korada Narasimha Rao, Satyanarayana Sarma and Vempatti Chinnasatyam amongst others.

For Prateeksha, it had been a various tale. She was indeed viewing and taking in party at her house. Nonetheless, whenever it stumbled on learning a party type, her mom left the selection to her — and her option had been Odissi! “But I discovered it too tough to discover; the trained instructor had been strict and irregular. And so I chose to offer it a skip, ” says Prateeksha, whom went back once again to Kuchipudi.

Although to start with she ended up being playful and slutty during her classes, seeing a lot more of her mom when you look at the Guru, she matured in to the part of a severe pupil over many years.

Vyjayanthi Kashi and child Prateeksha Kashi | Photo Credit: Unique arrangement

Now, being title to take into consideration, so how exactly does Prateeksha see by herself? “I am nevertheless wanting to soak up whenever you can from my mom. While arranging a brand new manufacturing, she constantly seeks my views and lets me experiment. During the brief minute, i will be thrilled to simply take motivation from her work. She actually is overseeing could work I can venture on my own, ” says Prateeksha until I get a firm foothold, when.

Vyjayanthi has generated unique productions that feature the mother-daughter duo. One of these, in line with the colour red, had been presented recently in the usa and Canada. “Red evokes different emotions”’ says Prateeksha, elaborating from the theme. “The red bindi while the gown regarding the bride evoke shringara, while for small Prahlada, the red bloodstream gushing away from Hiranyakashyap, killed by Narasimha, create fear, bhayanaka. Therefore, when it comes to presentation, we linked red to the navarasas. ”

‘Antaranga tharanga’ is a manufacturing on the basis of the theme of motherly love. This dance takes on another hue altogether when performed by the mother and the daughter with Sita and her mother, Bhoomi Devi, as the main characters.

Doing together

Therefore, what is it truly like to do together on phase? There is certainly tremendous synergy, agrees the duo. “Sometimes, we notice Prateeksha emoting in brand brand new methods that can come as a surprise that is delightful” claims Vyjayanthi, incorporating that every pupil has her/his very very own unique means of expressing a bhava.

The aspect that she admires many inside her child could be the lasya in her own party. “This is probably because she’s a lady guru, whereas i’ve been trained mostly by male experts additionally the thandava comes easily for me, ” claims Vyjayanthi. She continues on to state her daughter’s subtlety and the nuances she gives to her expressions that she loves.

Prateeksha, on her behalf part, admires her mother’s spontaneity that often challenges her whenever she works alongside. She additionally appreciates involvement that is vyjayanthi’s any character, from the comfort of whenever a manufacturing is conceptualised. “She would be thinking, getting a few variations regarding the script and accepting it only once it reflects precisely what she would like to convey, ” says Prateeksha.

One notices the component of spirituality and philosophical insights that Vyjayanthi imparts to her productions. “It arises from my experience. The virtue and goodness besides, the very purpose of art is to convey the sattva. Without sattva, there’s absolutely no party. The thing I you will need to do would be to just take a subject that is spiritual interpret it in a modern way to get in touch with the viewers, ” concludes Vyjayanthi.

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